NYC 9/11 Public Portal Document
Preservation Brief 6: Dangers of Abrasive Cleaning to Historic Buildings Page 6 of 12
to its historic character as much as ornately
carved decorative stonework. Such detailing is
easily damaged by abrasive cleaning techniques; ,:.
the pattern of tooling or cutting is erased, and p. : ,.
the crisp lines of moldings or carving are worn or
pitted.
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Occasionally, it may be possible to clean small
areas of rough-cut granite, limestone or
sandstone having a heavy dirt encrustation by
using the "wet grit" method, whereby a small
amount of abrasive material is injected into a
L2
controlled, pressurized water stream. However,
this technique requires very carefuI supervision Very high-pressure water has scarred this granite. Photo: NPS
in order to prevent damage to the stone. files.
Polished or honed marble or granite should never
be treated abrasively, as the abrasion would remove the finish in much the way glass would be
etched or "frosted" by such a process. It is generally preferable to underclean, as too strong a
cleaning procedure will erode the stone, exposing a new and increased surface area to collect
atmospheric moisture and dirt. Removing paint, stains or graffiti from most types of stone may be
accomplished by a chemical treatment carefully selected to best handle the removal of the
particular type of paint or stain without damaging the stone. (See section on the "Gentlest Means
Possible.")
Wood: Most types of wood used for buildings are soft, fibrous and porous, and are particularly
susceptible to damage by abrasive cleaning. Because the summer wood between the lines of the
grain is softer than the grain itself, it will be worn away by abrasive blasting or power tools,
leaving an uneven surface with the grain raised and often frayed or "fuzzy." Once this has
occurred, it is almost impossible to achieve a smooth surface again except by extensive hand
sanding, which is expensive and will quickly negate any costs saved earlier by sandblasting. Such
harsh cleaning treatment also obliterates historic tool marks, fine carving and detailing, which
precludes its use on any interior or exterior woodwork which has been hand planed, milled or
carved.
Metals: Like stone, metals are another group of building materials which vary considerably in
hardness and durability. Softer metals which are used architecturally, such as tin, zinc, lead,
copper or aluminum, generally should not be cleaned abrasively as the process deforms and
destroys the original surface texture and appearance, as well as the acquired patina.
Much applied architectural metal work used on historic buildings--tin,
zinc, lead and copper--is often quite thin and soft, and therefore
susceptible to denting and pitting. Galvanized sheet metal is
especially vulnerable, as abrasive treatment would wear away the
protective galvanized layer.
In the late 19th and early 20th centuries, these metals were often
cut, pressed or otherwise shaped from sheets of metal into a wide
variety of practical uses such as roofs, gutters and flashing, and
facade ornamentation such as cornices, friezes, dormers, panels,
cupolas, oriel windows, etc. The architecture of the 1920s and 1930s
made use of metals such as chrome, nickel alloys, aluminum and
stainless steel in decorative exterior panels, window frames, and
Decorative pressed metal Interior
or exterior features should not be doorways. Harsh abrasive blasting would destroy the original surface
cleaned abrasively. Photo: NPS finish of most of these metals, and would increase the possibility of
files. corrosion.
However, conservation specialists are now employing a sensitive technique of glass bead peening
to clean some of the harder metals, in particular large bronze outdoor sculpture. Very fine (75125
micron) glass beads are used at a low pressure of 60 to 80 psi. Because these glass beads are
completely spherical, there are no sharp edges to cut the surface of the metal. After cleaning,
http://www2.cr.nps.gov/tps/briefs/brief06.htm 03/05/2002
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